On Nadine Gordimer Three New Historical Novel Writing

Nadine Gordimer is the South African Jewish women writers writinu in English, she won the Nobel Prize Literature after Neri Sussex won it in1966, the sixth winner of the promise Bell female writers. Nadine Gordimer wrote at the age of Thirteen, she has written more than twenty novels and lots of short stories, and more than160essays and reviews, her work has a strong national color and historical features. Looking at China’s domestic academic research but Gordimer’s research can be described as rare, which Gordimer’s view of history study and not as an object of attention, the author is trying to explore three novels "July’s People"," My Son’s Story " and "None to Accompany Me "in new historicist perspective.In theoretical study, the new historicism in the early1980s as an interdisciplinary and multi-direction in the field of cultural criticism, have certain influence on the contemporary ideological trends. As a literary criticism, new historicism emphasizes the interpretation of literary, cultural, political way on concerning about the historical context and interpretation of orthodox historical, cultural, academic, subversive way. When I analyze the creation of works of fiction, to explore the tracks and content of which contains the history of South Africa, and to capture new historicism theory advocated by some fit place, in order to be explored.Therefore, this paper is divided into six parts, the preamble to make a brief analysis of Nadine Gordimer’s research status. The first chapter describes the historical spirit embodied in the new historicism, and Nadine Gordimer novel. The first chapter is divided into three sections, first section first explains the new historicism, focusing on description different from the traditional view of history, showing the dynamic history of "reproduction".In fact, Nadine Gordimer’s novel for the attention and description of historical facts, it is for their active participation in the process of historical development, breaking the tradition of the historical context, thereby reshaping the history of South Africa during the apartheid era. Section Ⅱ first introduces the life and works of fiction of Nadine Gordimer, especially in this article focus on interpreting the three works, display Gordimer concerns and perspective of the status quo of South African history through works of fiction and her development of South Africa the future for exploration and reflection. The text of "History" and "historic text" slogan in section III, Louis Montrose starting point, around the Gordimer three works of fiction from the truth of history, the psychology of the real and the art of real three angles to be explored.Chapter Ⅱ focus on the remodeling of two novel hero rewritten as well as women’s history, and the subversion of the male characters. Rewrite this section of heroes, Nadine Gordimer historical works and novels "grand narrative" subversion, showing the works of non-revolutionary hero and the image of the personality. Remodeling of the second chapter of women’s history, described in two parts:The first part tells us about " My Son s Story ", the heroine of Ira is re-positioning of the black female self-identity. the second part tells us about" None to Accompany Me "heroine is a black female subjectivity constructed. of novel shape a series of black male image in the subversion of the male role of the third chapter, The hero of’My Son’s Story" Sony find themselves confused,"unaccompanied" in the hero Didier Moose Ma Kuma after the loss of self-positioning.The third chapter from the novel a unique account of the way focus on trying to show the bold exploration of the writer in the novel art form under the influence of New Historicism and reform. The first chapter is about the microstructure of the Nadine Gordimer novel narrative mode, Gordimer novel in the history of interpreting the history of "lowercase", to be described from two parts of the daily scenes of family and character. The second chapter is about the diversity of narrative point of view in the novel, the main limit to know about the traditional novel the omniscient point of view and first-person perspective combining. The third chapter about the diversity of narrative strategies in the novel, mainly reflected in the dual space of time and structure.The fourth chapter is the analysis of its discourse structure, showing a variety of different characters in the novels sound and achieve a communication and exchange between the fictional and historical. The novel is the language of art, therefore, in-depth analysis of the novel ultimately will inevitably move towards the understanding of language and the first chapters of all sound noisy sex, the novel shows the figures issued by the multiple sound. The second chapter is a dialogue between characters, and focus on the introduction of the original words of the novel character, and may make the reader that the expectations reflected in Gordimer’s three novels, reflects the "double-voiced discourse" on the basis of exchange and dialogue. The third section is the reconstruction of discourse, the language of the novel is a subversion of the center means that the narrator of the novel in different languages on the object described, with the result of three reflected back from the apartheid era, the apartheid era, lonely work showing a variety of multi-part features.Finally, Nadine Gordimer has re-examined history in new perspective and discourse and highlighted the distinctive spirit of New Historicism.