Aesthetic Vicissitude On CCTV Spring Festival Eve Gala

Since1983, CCTV Spring Festival Eve Gala has held for32years(1983-2014), during this period, the social and economic environment, the culture and mental structure has changed mightily. To a certain extent, the changes of content, theme and genre on CCTV Spring Festival Eve Gala, reflecting the vicissitude of the current social ideology and consciousness.CCTV Spring Festival Eve Gala has enter aesthetic vision since1983, it was considered as a usual television gala first, with years’broadcast in Spring Festival Eve which is a "sacred time", it has been a cultural, media and rituals events. Broadcasting in CCTV, which is the most important official media, means that it has been the venues of social ideology and public celebration. This article uses the methods of aesthetic research and cultural research, and it confirmed aesthetic vicissitude of CCTV Spring Festival Eve Gala.This paper divided into four parts, the introduction briefly introduces significance and methods, as well as the related concepts. The first part discusses the history and characteristics about the CCTV Spring Festival Eve Gala, by discussing the rituals and entertainment features, showing the construction of state ideology, proving its ideological commitment stitching function. The second part is about the ideological function of CCTV Spring Festival Eve Gala, with the distinction of80、90and21century, analyses their different characteristics. The third part focuses on public celebration and entertainment, described the aesthetic vicissitude of entertainment, which is. The forth part is the main body of the paper, discuss ritual and ideological elements about CCTV Spring Festival Eve Gala, as a complex aesthetic forms, it turns ideology to individual entertainment through three decades.