Chinese Painting Art Performance Characteristics In The Study

China is the excellent cultural tradition and country with a long history, with richnational style of Chinese painting is gestated in the fertile soil of several thousand years.Chinese painting has a long history, mainly on its aesthetic features in the trunk in the spirit ofConfucianism, Taoism and Buddhism as aesthetic value, in general is to keep the "nature andhumanity" is the ultimate perspective, form "with god" the unity of the Chinese aesthetictheory, showed the nationality of Chinese art characteristic, become a unique painting systemin the world art history. Artistic conception beauty is the most important aesthetic category inChinese traditional aesthetic theory, one of the traditional Chinese painting is the mostcharacteristic of national art aesthetic standard, is also the Chinese painters in the observationof the natural object with paint, after the processing and refining of subjective consciousness,into its own aesthetic ideal and aesthetic temperament and interest, reuse certain artistictechnique, formed the rich connotation of artistic atmosphere, is with god, virtual and real,dynamic and static, perfect and harmonious unity, sentiment and scene is also a painter’ssubjective emotion, spirit, ideal and natural object perfect fit.Along with the continuous development and progress of The Times, how can Chinesepaintings will show its unique artistic charm, beauty, artistic conception and occupies a placein today’s global culture? This is what the contemporary lots and lots of scholars have beenone of the research subjects are discussed. This paper is from the traditional Chinese paintingart performance characteristics, artistic conception as a starting point, to study and explore theembodiment of the artistic conception of Chinese painting this feature, so want to makeChinese painting artistic conception beauty of this nature can be attach importance to theinheritance and development with bottom go to, want to be able to help to inherit and developtraditional Chinese painting art. Under the lead of this thinking, this thesis is divided into fiveparts.The first chapter, the thesis preface part. Simply elaborated the research background,purpose and significance of this paper.The second chapter, divided into two parts. The first part is a simple overview of thehistory of Chinese painting development background. The second part is expounded in acertain historical development of Chinese painting art performance characteristics, artistic conception.The third chapter, divided into three parts. Mainly from the traditional Chinese paintingcomposition a starting point for the demonstration of the aesthetic pursuit of artisticconception, write traditional Chinese painting composition object arrangement in the firstquarter, from S rhythm and movement actual condition and edge blank in the third partdiscusses the artistic conception of Chinese painting. In the second quarter from thetraditional Chinese painting the perspective of Chinese painting artistic conception beauty. Inthe third section, mainly from the traditional Chinese painting composition TiKuan QianYinto artistic conception of Chinese painting.The fourth chapter, write traditional Chinese painting "artistic conception beauty of thescene", is divided into two parts. Mainly from the traditional Chinese painting of the "poetic"and "xingshenjianbei, lively" discusses two aspects of the traditional Chinese painting’sartistic conception beauty.The fifth chapter, is conclusion part. Is a summary of full text, and draw conclusions.