For thousands of years, China painting of flowers and birds in the consciousness of time and space China unique "harmony between man and nature and philosophy", always love to spend the people, in order to take Peter, will all kinds of flowers, birds and insects of personality. Then these images according to the moral need, break the limitations of time and space, in the same space, thus, emerge as the times require restructuring techniques of flower and bird painting "no four". Accurate describing natural phenomena has been a traditional Chinese painter’s duty, so the recombinant techniques used in traditional freehand flowers and birds painting is more common and widely. With the development of the times, twentieth Century90years, has taken a series of important transformation of flower and bird painting, Chinese painter gradually began to show the realistic living environment is closely related with the spirit of the times, using recombinant techniques in Contemporary Meticulous flowers and birds painting has become widely and with the time evolution has new features. Before and after the80’s of last century, under the influence of western culture, by splicing, misappropriation, grafting and other forms of replacement technique has also been used for Contemporary Chinese painter to the creation, through continuous attempts, this replacement technique has formed its unique style, and created a number of innovative works.This paper will analyze the replacement and reconstruction approach to the Contemporary Meticulous flowers and birds painting from the following three aspects:One, about the replacement and recombination technique characteristics, this part of the evolution from these two methods of generating and so far are analyzed, the different characteristics of replacement and recombination techniques have at different times. At the same time carries on the analysis to the contemporary replacement and recombination technique causes from the social environment, aesthetic ideas, influence of Western painting from three aspects, trying to find the inevitability of this two methods trait formation.The form and characteristics of two, Contemporary Meticulous flowers and birds painting replacement and recombination techniques is the focus of this paper, mainly from the two aspects of the external form and internal concept explanation of meaning. From the external manifestations of replacement and recombination techniques, the replacement of hand summarized into four types:the traditional classic schema replacement, the classic description of object displacement, western classic schema replacement, Western classical description object replacement. The contemporary recombination techniques fall into four types:images of the restructuring, reorganization, misplaced extraordinary restructuring, reorganization of contradiction. Through the works analysis of replacement and recombinant approach to the contemporary Chinese painting from the application and performance of the description of the object schema, and etc.. This type of methods have their own unique characteristics, showing a different visual effects and aesthetic experience in the work. At the same time, from the internal point of view, the contemporary Chinese painting pays more and more attention to work behind the expression of ideas, the traditional flower and bird paintings praise of nature, the ethical significance of expression gradually transformed into the current reality of living experience. Through the analysis of schema, so as to further understand performance replacement and recombination techniques in the creation idea and the impetus function.After three, to the Contemporary Meticulous flowers and birds painting replacement and recombination technique characteristics and specific performance do analysis clear, comprehensive, also left the space of thinking for us. Through the replacement and recombination techniques created schema, showing a Yizhenyihuan, also guyixin picture effect, give people strange and distant implication, provoke thinking and feeling different, provides the possibility and feasibility of a new development of contemporary Chinese painting. However, replacement and recombination technique also is like a double-edged sword, if you get rid of, it is easy to people affected, uninteresting, and even a sense of curry favour by claptrap. The last chapter of this thesis, will carries on the summary to the replacement and recombination techniques, in recognition of its meaning of existence at the same time, it is necessary to reflect. |