The Rheology Of "Anti-nobility"

As an important aesthetic ideology, nobility was being respected in seventeen years of literature and Cultural Revolution of literature. However, with the introduction of the acceleration process of the contemporary market and a variety of advanced Western literary thought, China had entered a huge social transformation period, during which period, nobility was being marginalized and the rheology of "anti-nobility" began to board the stage of the history. Based on the above, this paper is combined with the literature of the "anti-nobility" in the new period and with the preventatives of Wang Shuo in the80’s and Zhu Wen in the90’s. This paper is described in four parts, which is the generating discourse context of the "anti-nobility", Wang Shuo’s revolt, Zhu Wen’s nothingness,"anti-nobility" and literature in the new period in order to understand overall the literature of the rheology of the "anti-nobility" in the new period.Except the introduction and conclusion, this thesis is divided into four parts. The first part have expounded the generation context of "anti-nobility" from two main aspects:the emergence and development of "nobility", and the rise and reason of "anti-nobility". The importance of introducing Century transformation of society and culture, and Post-modernism of the West also has been mentioned.In the second part, this paper uses Wang Shuo who is the representative figure of "anti-nobility" as an example, then analyzes the characters like "ruffian hero" and serious language created by him, to argue that Wang is not the writer who have pushed "anti-nobility" to the limit. In fact, his rebellion is not complete. When on the opposition to nobility, he also sank into the mud of "nobility". In the third part, this paper uses Zhu Wen who is the initiator of "Breaking" and’I Love Dollars" as an example to compared with Wang. Zhu appeared on this "anti-nobility" stage with his work "Breaking". Using the hero "Xiaoding" and coarse language to overture the traditions, moral, authority, etc. thoroughly and relentlessly. However, since doing resist without any destination, he fell into a sense of powerful nothingness after overturning the nobility.The fourth part is focused on the Three Writers Group which are "Avant-garde","New Realism","New Generation" that reflects the "anti-nobility" in the80’s and90’s. It sums up "anti-nobility" in three forms, in order to understand the literature of the "anti-nobility" in the new period. Overall, writers’position in the80’s was not firm. They still had a lofty sense of literary enlightenment. Their aim is to eliminate the "pseudo-noblity" and build another nobility, which is with the suspect of continuing nobility. By the1990s, with the further development of market economy, people’s desire got an unprecedented expansion. Meanwhile, writers were also desirable and personalized. They separated from the existing social order, and their lofty ideals completely collapsed. As a result, the "anti-nobility" got to the extreme, and ultimately lost in the nothingness.