Study On The Religious Paintings Of Ming Dynasty

Religion in Ming Dynasty painting is an integral part of theMing Dynasty painting in the Ming Dynasty, in the process of development of thewhole society and painting, due to the mutual contact and penetration of religion andart in each particular Dynasty, religious provide material for painting, religious spiritin the imperceptibly influenced artists. The religious painting is religious art, is alsothe artist certain religious complex expression. Through the social and culturalbackground of the Ming Dynasty under the main religious, philosophical and religiouspainting development of carding and research context, to dig the inherent relationbetween them.Methods in this paper by means of theoretical analysis, exemplification andcomparison, tries to expound the religion in Ming Dynasty painting murals, literatipainting from the following five aspects of the religious paintings and the intrinsicrelations and academic thoughts of Ming Dynasty directly.The first part focuses on the social and cultural background from the currentinheritance relations of religious paintings and research to the. First, from the MingDynasty’s religious policy, social background and the painting of a review, inheritancerelation between religion in Ming Dynasty painting.The second part discusses the relationship between different religious sects ofMing Dynasty and the corresponding development of religion. Through thedevelopment of Ming Dynasty Buddhism, Taoism, Christianity and famous religious,and discusses the religious painting features corresponding to each sectThe third part discusses the characteristics of religion in Ming Dynasty painterand religious paintings of Ming dynasty. The religion in Ming dynasty literati paintersof religious themes, the Ming Dynasty murals are analyzed, and then the MingDynasty painter of religious paintings are described.The fourth part discusses the internal relationship between the Ming Dynasty andthe Ming Dynasty religious painting academic school. First is to the Ming Dynasty, the development of mind and their respective philosophical connotation, and thendiscusses the main schools of Philosophy in the Ming Dynasty and the relationshipbetween religious painting.At the end of the Ming Dynasty in the position of religious painting paintings ofMing Dynasty in its influence on later generations. Mainly discussed from threeaspects: one is the emphasis on the subject consciousness; two is the inheritance andinnovation; three is to analyze the text features of religion in Ming Dynasty paintingfrom the independent performance of brushwork in.