The Debat Between Shape And Spirt In The Period Of Wei,Jin,Southern And Northern Dynasties And The Development Of Esthetics

The Wei,Jin,Southern and Northern dynasties is a important periodof the development and debate of the relationship of shape and spirit.The Buddhismwere prevailingin in Wei,Jin,Southern and Northern dynasties. The development ofBuddhist thought promoted the debate of the relationship of shape and spirit.Hongming ji becomes the important material of the debate of the relationship ofshape and spirit in Wei,Jin,Southern and Northern dynasties. Hongming ji whichaims to develop and expand Dharma and reject heresy is a classics literature inBuddhism. It focuses on the ideology and actuality of the development of theBuddhism in Wei,Jin,Southern and Northern dynasties. In the period that theBuddhism just introduced into China, the Buddhism was shocked by TraditionalConfucianism and Taoism and used by others. Then Hongming ji emergeed at themoment. Thus the development of the Buddhism is the process which Therelationship among Confucianism, Buddhism and Taoism evolve in.The relationship of shape and spirit which plays an important role in thehistory of Chinese esthetics refers to the history of the development of theBuddhism, interweaves with ideology, philosophy, literary and religion. theBuddhism pays attention to death, thinks the shape as a problem with the spirit. TheBuddhism dispute for gathering extremely abundant with Confucianism and Taoism.The debate of the shape and spirit engender.The debating of the shape and spiritdrives the development of literature and art and influences the development of themusic, poem, painting and calligraphy.The article is established in the debate of shape and spirt,try to search theinfluence to the esthetics of Wei,Jin,Southern and Northern dynasties on the music,poem, painting and calligraphy. On the basis of looking for kinds of literature.Thearticle discusses the relationship betwween literature and art and the development ofesthetics in the Wei,Jin,Southern and Northern dynasties. But the discussing placeparticular emphasis:music bases the “Yuelun” of Ruanji and “Shengwuaile” of Jikang,and sesrches the principle of nature; the poem disusses landscape andpastoral,is on behalf of Taoyuan ming and Xielingyun.the painting reflect the shapand spirt of The figure painting of Gu Kaizhi and the landscape paintings of ZongBing.Zhong You, Wang Xizhi and Wang Xianzhi opened the new territory on thepainting of the Period of Wei Jin and Southern and Northern Dynasties.The article starts from the relationship of shape and spirit in Wei,Jin,Southernand Northern dynasties,discusses the important manifestation and significance ofthe esthetics. The debate of the shape and spirit of Hong Ming Ji Has theepoch-making significance to the history of Chinese esthetics, provides a solid basefor the development of ideas, culture, art, philosophy and religious and have aremarkable achievement.