Shanhaijing Gods Image And Aesthetic Implication

Myth as a comprehensive primitive social ideology, is the only way for Each Nation toroots of the national culture. In various forms of thinking, The mythological thinking with themost closely related to the aesthetic thinking, The original eleven mythology thinking directlygave birth to the aesthetic awareness. Shanhaijing as a "myth political geography book"(byYe Shu xian), which records the social geography, animals, plants, minerals, myths,witchcraft, religion, ancient history, medicine, folk customs, folk and other aspects, provides awealth of material research on the aesthetic consciousness of the era.This article first embarks from the shan hai jing text, on the gods image analysis,summarized and compared from the aspects of spirit level, from the spirit level of high andlow, the function of the amount of different, differences in morphology, quantity and so on,summarized and compared in shan hai jing analysis classified as emperor of the gods, thegods, gods and god beast four categories. Each category and choose out the several kind ofgods to carry on the analysis of aesthetic characteristics, such as er of the snake god, resin, etc.Human-animal mix of aesthetic model is the most prominent, birds, animals, fish, snakes,combined with the transformation of people everywhere, and people also cannot be selfconsciousness from muddy with all of the world, also is not affected by the natural scienceand logical thinking of the strict stipulation. Human-animal mix also reflects ancients harshreality and the ultimate ideal. On this basis, the research methods such as combination ofaesthetic anthropology, life aesthetics, discusses the shan hai jing in aesthetics on severalimportant characteristics, namely the beauty of the ferocious terror, death and surrender andcombination of the beauty of tragedy and triumph over nature, life and death cycle of life andaesthetic consciousness, waste paper away shan hai jing era can bring people today howintoxicated with the beauty. Original aesthetic standards of China and the United States is theoriginal wild strength, is direct and extensive vitality. Ancients has realized the depth of lifeand pathos, the protests and circulation, and embodied in the original system. Last contactshan hai jing era ancestors of social history, natural environment conditions, as well as thethinking pattern and psychological state of development factors, trying to explore the ancientsfrom the myth of the shan hai jing world of aesthetic consciousness, for the evolution of theconcept of beauty and perfect, and the death of the original thinking.