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Chinese Animation And The Native Place Culture Relations Research

Posted on:2013-10-09Degree:MasterType:Thesis
Country:ChinaCandidate:Z MingFull Text:PDF
GTID:2255330425462350Subject:Visual communication
Abstract/Summary:PDF Full Text Request
Animation as a medium of communication and art symbol carrier, to a certain extent reflects a period of political, economic, cultural, artistic development. This article through to the cultural differences between Chinese and foreign contrast analysis, and comparative analysis of Chinese and foreign animation, animation to explore the relationship between indigenous culture and chinese. In our country, revolution produces a unique historical and cultural heritage of national virtue in morphology, the important mission of" red culture", more and more widely in domestic and foreign film and television animation works in the" martial arts", and" bamboo culture" as the epitome of Chinese culture, has a significant impact on the world of film and television animation. In the article, analysis and comparison of national culture on the" humanity" of different critical analysis of Chinese animation story today, lack of humor, as well as in the socialist market economy, animation and animation derivatives business value and made analysis. At the same time, many examples of Chinese and foreign representative animation works. For example, the Chinese story or extensive use of Chinese elements in animation" Kung Fu Panda"," Mulan", analyses the same element in different context presents a different cultural connotation. As well as the Chinese animation works "Qin moon","Little Tadpole Looking for Mom","havoc in heaven"," xiaobingzhangga", Chinese ink animationrepresents "death","landscape." with the combination of Chinese landscape painting flowers and birds and other elements of the cultural connotation, from the " and " culture to Taoism" culture", arrive again today China’s "harmonious culture" the inductive analysis.Chinese animation form varied, fully absorb the opera, shadow, paper-cut, ink and other Chinese traditional forms, from script writing, character design, scene design and other aspects the show brought together different nationalities, different religions, different beliefs of Chinese culture. China is a multi-ethnic country, each nation has its own customs and splendid culture, people’s living conditions, customs and culture to form a beautiful, touching story. In the performance of people living conditions, customs story between the intravenous drip of rich folk treasure, reflecting the people’s life, flashing a people’s wisdom, from the more able to taste the traditional virtues of the Chinese nation, the profound cultural spirit. These national culture but also for the animation to provide the rich source material. From the Uyghur" Avanti’s story", Hani’s" fire child"," Butterfly Spring" in the Bai and so on, these minority cartoon, contains a strong national spirit or deep patriotic feelings, showing the production of minority customs of the true to life likeness picture, and these are intangible cultural art the vivid reproduction. Chinese culture after the millennium, a plurality of Chinese culture here, mutual respect and tolerance, formed" harmony but not Sameness" the broad and profound Chinese culture, is the so-called" all rivers run into sea, has a capacity of Naida".
Keywords/Search Tags:animation, paper-cut, Peking Opera, shadow, ink, Chinesetraditional culture
PDF Full Text Request
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