Theory Of Mozart’s Opera Buffa Chucks Role In The Characteristics And Status

Throughout western history of vocal music, chucks this parts by different composer portrays the rich characters in opera creation, and assumes the role of the various status, Mozart in his comic opera character role on the parts status is more characteristic and psychological portrayal,"chucks" between "tenor" and "bass" specific parts, was portrayed in Mozart’s works is particularly clever, lively, humorous and optimistic, but also embodies the music style of Mozart. With wonderful music portrays the comic opera of lifelike characters one by one, is more valuable for "chucks" features of this specific parts uncharacteristically, extraordinary: lively, humorous, affectionate and clever, formed the Mozart a great style of comic opera creation, Mozart’s opera buffa creation also a clever pen. Mozart in comic opera creation attaches great importance to use baritone,"baritone voice in Mozart’s opera buffa assumes the role of multiple status, including the main characters, different position in the comic opera" chucks "characters reflects the psychological characteristics of different characters, constitute the main characters and the contradictions of the comic opera of the solution. Both in terms of the role of quantity, roles, status and characteristics of voice, lots of baritone voice intervention, makes the creation of Mozart’s opera buffa style, at the same time, the parts in the comic opera still abounds characteristic or chorus plays an extremely important role, for the comic opera adds a strong dramatic effect. Of Mozart’s opera buffa "baritone voice" role in the study, will contribute to the parts of the baritone singer in the vocal performances and a greater understanding of the character traits of character, etc.