| Speech-Singing Acting is an important mark of establishing Yuan Drama as a “truedrama†by Wang Guowei, it looks like Yuan Drama’s “materialâ€, and its important role bothin literature and play are established a macro first-person narrative literature style andperformance style respectively, to provide a large frame and filled Yuan Drama’s “form†suchas one lead singer, one fold one mode of ancient Chinese music, the integration of musicaction words. This paper, focusing research on Speech-Singing Acting’s simple “materialâ€property, fill the “form†in the “materialâ€, research on Speech-Singing Acting’s structure,feature, and the control action of writers both in literature form and play form.Paper is divided into four parts to comprehensive analyze Speech-Singing Acting’sliterature form and play form: the first part, discusses Wang Guowei’s the relevant expositionsof Speech-Singing Acting in academic modernity background. And on this basis, try toresearch the true meaning of Speech-Singing Acting and discuss Speech-Singing Actingform and its classification. The second part, respectively explore Speech-Singing Acting’sliterature form and play form. The third part, comprehensive research on the characteristics ofSpeech-Singing Acting’s literature form and play form, summarize the simple movementpoetic character, creation and performance of freedom, distinctive features such as narrativetraces. The forth part, strive to explore the writers’ powerful control function toSpeech-Singing Acting literature form and play form under the "one yuan horizon" and theway to curb the diversity of the citizen culture and the development of Yuan Drama. Besides,in the introduction of the paper, the author try to find relevant traces and about endorsementand Speech-Singing Acting in the ancient books, try to find out the relationship between thetwo concepts in the mean time. It benefits our understanding of Speech-Singing Acting andanalysis of Speech-Singing Acting in Yuan Drama below. |
