The Analysis Of Sanyan’s Narrative Perspective

In the Ming Dynasty, Feng Menglong’s compilation " Sanyan "("Yu shi mingyan","Jing shi tong yan","Xing shi heng yan")is the pinnacle of the ancient Chinesenovels in the vernacular short stories. It inheritesd the words art of Song and YuanDynasty Vernacular, and in the song and Yuan Dynasties vernacular basis,it’snarrative art, psychological description, theme selection and other aspects havesignificant progress and improve, making it has made indelible status in the Chinesehistory of literature.120Novels of" Sanyan " included, is representative works of ancient Chinese thevernacular short stories, occupies an extremely important position in Chinese ancientnovel history. Since " Sanyan " advent, warmly pursued by various dynasties people,also produced different versions, have been passed down to today. During fewhundred years, the researchers study "Sanyan" this peak level works collection fromdifferent angles, covering almost all aspects of the " Sanyan" research. However, wesummarize previous studies found that theresearch of " Sanyan " mainlyconcentrates in the works, the authors, edition, historical background,ideology,artistic and so on, narrative research is relatively weak, Narrative researchis a new discipline but also the most essential research of narrative works research."Sanyan "‘s played the role and occupied the position in traditional Chinese narrativeart can not be ignored, therefore, the " Sanyan " narrative art research should becomeour research topics. In narrative literature, the relationship of the narrator and thestory is the most essential relation, so, the choice of perspective of the narrator tellsthe story is particularly important. Narrative perspective not only effect overall styleof a narrative work to some extent, but also the choice of narrative perspective canreflect the author’s value standpoint and emotional tendency. In addition, the differentchoices of narrative perspective may affect cognition and evaluation of the readers forthe works and works of characters and character behavior.Until the present century, in some of the efforts of scholars, appeared the specialized research and discussion on the narrative art of the vernacular novels, hasdone a preliminary attempt on narrative research, On the basis of previous research,this paper with "Sanyan" as the case, with its choice of narrative perspective as thefocus for analysis and research, to summarize its the characteristics of narrativeperspective and the progress and success of narrative perspective. This thesis isdivided into four parts. The first part is the introduction. This part includesintroduction of " Sanyan " as well as its editor Feng Menglong, the carding of the "Sanyan " research results in recent years, the interpretations some narrative conceptand the research train of thought. By the comparison of " Jie yi" and " Chen Yushiqiao kan jin chai dian ", the second part briefly analyses choice of "Sanyan "’snarrative perspective and narrative skills. Mainly from the omniscient narrativeperspective, the limited narrative perspective and the dramatic narrative perspective ofthese three kinds of narrative point of view, divided into three parts, the third partspecific analyses the features of " Sanyan "’s narrative perspective,and the every kindof narrative perspective types have " Sanyan " their own characteristics. The fourthpart mainly through the comparison with the omniscient narrative perspective andlimited narrative of Song and Yuan Dynasty Vernacular, highlight progress andsuccess of "Sanyan " narrative perspective. The exploration of " Sanyan " on narrativeperspective, although can not with mature or peak to describe, but, it is valuable andmeaningful,provides important reference for rich development and of the laternovels’s narrative perspective.