Study Of Material Language In Hand-painted Experimental Animation

Animation is the art of "painting", hand-drawn animation is experimental animation inone of the main form, and most important, has a strong artistic value and aesthetic value.Experimental animation in content and form of exploration, the development of animationindustry in the future have very strong revelatory and predictability, as a mainstreamcommercial animation film provides a new way of writing style and performance.Picture of the material composition, animation art form is an important part. Artistmaterials as media, display and communicate information in the form of visual art, whethercreating animation on celluloid, or paperless animation in today’s more simple and easy tooperate. Artists are using pictures of material language to express their inner feelings, throughthe combination of different materials, can let the viewer intuitive read artist conveysinformation, make the animation more direct, vivid and intuitive than wordsEurope and the United States, Japan and other countries of hand-drawn animationexperiment research have achieved remarkable results. But less about basic theories ofexperimental animation works at home and abroad, there are few materials devoted toapplication of the theory research. Only a few reports are limited to materials usingstop-motion. About material application in hand-drawn animation experiment, lack of deepertheoretical quinces. Compared with the development of science and technology, the traditionalhand-drawn animation experiment, single flat with the traditional two-dimensional animation,based on the discovery through new media, more material began to use hand-drawn animationcreation experiment. Therefore, the study of hand-drawn animation experiment material,meaning is particularly important.This article monarchs alone thinking to material as the research object, the application ofa language from both at home and abroad excellent experiment hand-drawn animation worksand the author in the film creation practice, in shading language as the breakthrough point,in-depth study material language application in hand-painted experimental animation filmcreation. Sums up the present situation and development of the application of the materiallanguage in hand-drawn animation experiment, the experiment hand-drawn animationcreation material problems universally existing in the language application, carried on thethorough analysis and rational conclusion. Summarizes the material language use researchmethods of innovation, hope for the animation creator provides a certain reference value.