| Based on the author’s performance-the Bel Canto singing of "HE ZHOU HUA’Er", the paper aims to explore the new music performance which is the combination between the traditional Italian vocal model and the Chinese folk song. The paper which consists of three parts:the origin, the Hua’er and the practice, briefly traces the history of Bel Canto from its birth in Italian to its development in Europe, introduces the development history and the cultural and social implications of the Gansu "Huan’er" and then focuses on the artistic design and experimental performance of the new music form. The paper is expected to shed light on the study and development of new music styles. |