The Reformation Of Chinese Landscape Painting

Undergoing a long process of hard exploration, Chinese landscape painting finally was on the unique and diversified development way. In the new period, Chinese landscape painting presented prosperous situation, of which the main characteristic is the combination of the western landscape painting and Chinese landscape painting which reflect the spirit of Chinese traditional culture。 In this way, they aimed to find out the integration and differences. Then, there were a large number of artists who mainly paint from life. Although there were differences between each other, as a whole they formed a style of freehand brushwork in traditional Chinese painting. Temporary Chinese landscape painting tended to imagery. Certainly, behind the prosperity of Chinese landscape painting, there are still many problems being worth thinking. Here we bring up the painting from life. We should reflect on the difficult situation due to contemporary social transformation, and the confusion due to the lack of survival value. We can use scenery to reveal the meaning of the new age and the new world, the times significance of realistic landscape and life landscape, the contradictory relationship between orderly scenery and disordered society. The time significance of landscape artists is to set up a more harmonious and perfect relationship. Following after predecessors’journey of exploration, I also make efforts in the landscape painting creation. At present, no matter in production rage of technical means or in spiritual aspects, there is a big gap between Chinese landscape paintings and western ones. Therefore, to develop Chinese landscape painting we must learn from western observation method and performance means, make use of our advantages of rich spiritual connotation rich spiritual connotation, so that we can develop a new way belong to Chinese landscape painting features.