See In The Cut, Only To Take

Blend of complementary Confucianism, Taoism and zen three philosophical ideas inancient China, decided the composition of Chinese paintings is the unity of subject and object,material and spiritual process, can break through the limitations of time and space, naturalobject attributes, see good in the cutting, and pick up. This is the necessity of Chinesepainting composition, from conception through the traditional Chinese painting compositionto as to the whole process of the pattern.Chinese figure painting is part of the Chinese painting, the composition methods from thetraditional Chinese painting image thinking, this is Chinese paintings with his theembodiment of national culture as the foundation. From the composition form, Confucianismas its contents and forms of the casting the value of the Chinese people, ZhuangChan thequality of the philosophy of "nature and humanity", realizes the Chinese figure paintingcomposition beyond time and space, I blend of creative space.Throughout the history of the development of Chinese figure painting composition,Chinese painting image layout tongda road, in the bearing and the variable, namely theinheritance and innovation.Bearing of Chinese traditional figure painting composition change, after the pre-qin periodof infancy, after the gradual development of qin and han dynasties, to the wei jin southern andnorthern dynasties, sui and tang dynasties, gradually to mature stage, then through the fivedynasties breakthrough progress has been made in the north and south song dynasties, thetraditional figure painting composition at this point to the fully mature stage. Since the yuanafter the tomb-sweeping day, gradually decay.The historical evolution of the modern figure painting composition, after the baptism of the20th century realism after changes before and after the cultural revolution has seventeen yearsof bearing development stages of initial prosperity, the but again during the culturalrevolution, by variation of losing, until right to usher in a rare event of a new era of onehundred, China’s success and frustration in the modern figure painting composition. In the new period, the Chinese figure painting composition is an era of pluralism simultaneously,both occur in the bearing in the history of Chinese figure painting composition changed orfission, are demonstrated in the bearing and prudent way should be the way out, refracting thefigure painting art of nationality and times. Figure painting three and flow in the new period,the Chinese figure painting composition in the overall trend is: after the21st century bycontinuing its classical form to modern form. The figure painting to point to in the future.Bearing and change, reflects the dialectical unification relations in the development of art,as often as the base, the bearing is changed. To grasp the rules also is such, inheritance ofinnovation and development in the inheritance. Chinese painting is the art of cardiac andskills, and knowledge is often change, hard work, keep pace with The Times, can ease for.