Comparative Study Of The Tang And Song Dynasty Ceramic Lotus Flower Tattoo

Lotus is China’s traditional decorative theme, bronze and pottery in the spring andAutumn period, generally used to lotus petals as decoration. Ceramic on the lotus patternis extracted from the Buddhist art in the. From the start to the northern and SouthernDynasties heyday, the lotus pattern with relatively strong religious color. To the TangDynasty, the great Chinese nation assimilation capacity will also be foreign art essenceinto the nation’s traditional arts. Therefore ceramic lotus entered mature period. The SongDynasty Chinese ceramic art has made great progress, ceramic decoration theme is rich,the lotus pattern as one of China’s traditional ceramic decorative patterns, it has a longhistory and profound cultural connotation. Through a comparative study of Chinese andtwo times of the ceramic lotus flower culture connotation: from the folk sense, lotus inBuddhism culture, ideology and culture. The multilayer several lotus pattern the TangDynasty and the Song Dynasty the meaning that combines the conversion to commonauspicious wish, will also be lotus culture connotation are compared and analyzed, andalso describes the Tang Dynasty and Song Dynasty porcelain ceramic lotus lotus patternat different stages of its some different decorative style and characteristics of the artfeatures. The lotus decorative pattern is composed of simple to complex and stuffing, andkilns in the lotus pattern in the use of color not to stick at trifles. The lotus pattern is toreduce the impressionistic, so as to recover one’s original simplicity. The associationbetween ceramic and lotus were studied, in the artistic characteristic analysis of ceramicdecorative pattern of lotus and analyzed the reasons of the lotus pattern which isinfluenced by the cultural, political and economic results of the.