Think Deeply And Write Doggerel

After the founding of New China, the poet Yanxiang Shao, the translator Xianyi Yang, the painter Miaozi Huang all created a large quantity of classical poems, which they styled doggerel modestly. These classical poems, which seemed so ragged, satisfied the writers’ composing desire in exceptional cases, and become a effective carrier for leading off emotion and resting feelings.Therefor, these poems can be seen a important window to enter their, as well as a generation of intellectuals, hearts and minds. For the signality of doggerel, it is the object of study in this paper. In the foundation of text scrutinizing, for one thing, this paper studies three writers’ doggerels from the vertical point of the transition of Chinese traditional poems, to show their unique poetry aesthetic value. For another thing, in the background of history, this paper studies three writers’ doggerels from the comparative,symbiotic,transverse point in different contexts, to show their unique personality and spirit glamour.Four chapters constitute the main part, the first chapter defines Yanxiang Shao, Xianyi Yang, Miaozi Huang’s spirit backgrounds and life locations, by means of hackling their life orbits, thus to explore the similarity of their lives and the universality of their knowledge, and to explain that they all chose the unique subject matter of doggerel is inevitable. The second chapter classifies three writers’ doggerels in four:painting scenes and resting feelings poetry, singing matters and voicing wishes poetry, leading off emotion poetry and cherishing the past poetry. The third chapter analysts the themes, which reflects in three facts:the focus on life status, the self-criticism and the criticism of reality. The fourth chapter analysts the inheriting and innovating of the doggerels in art. These doggerels are popular but not vulgar, humorous but not slippery, sincere and gererous, which make a crack and graceful effect. Especially theses doggerels promote the character and morals of this subject matter by the means of applying allusions and mixing essays.