In The Course Of Suffering, The Growth Of The Spirit

The heroine Ni Love Aa and Feng Yan, which were created by Russia n writer Golgi and Jingai Jiang, are the representative images under the oppression of ethnic, class, and patriarchy. At the beginning of twentieth Century, whether in the East or west, many countries are in the period of turmoil. Aristocratic landowners and capitalists like machine ruthless bleed the low class people to white and resulted in the death rather than the natural death. However the foolish people d idn’t recognize their living state, not to mention to change it. The author tried to wake the sleeping people by their own pens, in which way tarouse their ambition to live with respect. Golgi and Jingai Jia ng translated their own experience in their novels, representing the living state of the people during that time through the poor images.Basing on the above, without discovering the parallel study on the two works, this paper will try to analyze the similarities and diffe rences of the mother image with the methodof feminist literary critic ism, in which way to reflect how the women save themselves under the oppression from family and society and how to find the road to self liberation. This paper will analysis the similarities and differences from the aspects of environment, social background, personality, etc to explore the reasons. The paper is divided into three chapters:fi rst chapter mainly discusses the reason for characters’formation. It mainly reflected in the people’s living conditions under the restive disaster, a rooted traditional concept leading to people’s attitude to women under the class oppression, and the two husband’sattitude to "mother" under gender discrimination. Those proves the painful and d epressed experience of Ni Love Aa and Feng Yan. The second chapter ma inly discusses the mother’smental growth and resistance process under the multiple oppression, such as how NiLove Aa grew up to be a commu nist fighter with influence of the son; how feng Yan acquireda correc t understanding of communism from an ignorant women. The third chapte r discusses the feminism to re-examine limitations of Ni Love Aa and Feng Yan and enlightenmentto modern women. Ni Love Aa and Feng Yan ar e not just the two mothers, theirimage features reflect the limitatio ns of the two authors.