| Chinese ceramic art had a rapid development in Song dynasty. Folk kilns in Songdynasty are all over the country. The Jizhou kiln is a multiple-producing kiln in southChina in Song dynasty. It is famous for the daily-using porcelain. Products have a stronglocal identity and the national customs. Especially for its paper-cut applique, muyeapplique and transformation glaze kiln. It perfectly combines both practicality andaesthetic and it completely shows the esoteric artistic charm of the black glaze porcelain.This article is mainly for the perspective of aesthetic cognition. Analysising fourareas of the artistic beauty, crafts and decorative beauty and styling beauty.Finally settingout the unique artistic charm.First of all, this article briefly summarizes the basic profile, history and the kiln sizeof the Jizhou kiln. Secondly, the paper analyses the relationship between the birth ofartistic characteristics of Jizhou kiln black glaze porcelain and religious aesthetics ofSong dynasty, tea culture, advocating black of Chinese traditional culture.Thirdly, this article focuses on the black glaze porcelain, Jizhou kiln of aestheticcognition. By implication black glaze porcelain ceramic of painting and calligraphy,folklore and cultural features described black glaze porcelain products of artisticconception. Illustrates it with sintering process production technology and crafts.Through the effects of paper-cut pattern, muye pattern, black glaze, painted lines patternand colorful transformation glaze kiln on its decoration to set out its decorative beauty.Through the Jizhou kiln products of Bowl and tea cup reflect the beauty of its shape.Finally, the article highlights the necessary of how the traditional methods are applied tomodern creations in Jizhou kiln black glaze porcelain. Discussion on how to integrate itwith modern life ceramic art fusion of ideas and production techniques.Creating potteriesthat content with the material and spiritual life of modern people. |
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