Study On The Conception Of "Blank" Of Chinese And Western Poetics

In both Western and Chinese literature theories, the term "Blank" widely existsand forms a unique "blank conception".“Blank” in Chinese poetic literature theorywas established at the basis of traditional philosophy, it was ambiguous, free flowingand unlimited transcendentalism."Blank" had a close contact with the category of"Artistic conception" and "Hidden Beauties " and it was wide applied in Chinesetraditional poetry, painting, and other artistic area, and run through the whole artscreation and appreciation process.“Blank” reflected the objectively omitted and skillsin arts, especially it pursue of the life realm."Blank" in Western literature theory wasrelatively well defined, It was mainly exist in narrative theory, particularly in thetheory of fiction, Hemingway formed the "Iceberg theory"; In his creation waspointed out clearly, while writing; the author should omit the part that readers waswell familiar, Just to describe the "one-eighth" on the floating surface of "iceberg".Ingarden firstly introduced “Blank” into Western art theory. Iser developed Ingarden’srelevant discussions, formed a system of "Blank" theory, this kind of "Blank" seemedhad act as a promoter between "The article-reader‘s interaction".The View point of western poetics in "Blank", rooted in their culturalbackground,, but it has a lot things in common, for example, in the west that"Blank" was emotional involved, At the same time which reflects the author’srecognized world and the dimensions can be expressed. Of course, because of varietyin their respective cultures backgrounds, Different ways of thinking, Chinese andWestern’s “Blank" view are more represents a difference. On the connotation ofChina’s "Blank" was vague and infinite, Western "Blank" is clearly limited; On thefunction part, Chinese "Blank" is more of a search for vacant state, while the Westernseems like a text structure, as the dynamic regulator, Which balance of their text andthe reader in the process of reading; On the practice application fields, The differencesare more obvious between the Western Chinese "Blank" categories, Was widelyused in poetry, painting, calligraphy, architecture and other fields, But the Western"Blank" are mainly used in narrative style, literature, especially in novels.During the investigation, The common part in Chinese and Western "Blank"concept are mainly caused by the relatively similar in the rule of creation, andsimilar their way of the beauties’ perception. While the differences, mainly have three reasons. Firstly, in theory, Chinese “blank” conception is formed on the basic oftraditional Taoism, Confucianism, metaphysics, Zen thinking, while the western“blank” conception is affected by phenomenology, hermeneutics and by Gestaltpsychology; Secondly, Chinese always thinking and expression in a intuitive andunderstanding way, while the West pay attention to logic, emphasis on analysis anddescription; Thirdly, Chinese pay more attention to the artistic creation, while theWest mainly emphasis on the text and the readers.In depth to deplete of Chinese and Western poetics for the comprehension of“Blank" concept, for a more profound understanding of “Blank" has a positivemeaning, sorted under different cultural backgrounds, Let us better understand thecharacteristics similarities and unique of thought in literature and art, the developmentof literary theory, It is valuable to recognize, compare, comply Western and Chineseliterature theories.