Research On The Theory And Practice Of Zhang Boying’s Calligraphy

The Republic of China calligraphy is divided into three periods:Initial stage, calligraphy inherited the Qing Dynasty style but with difference.Interim, there were many famous calligraphers and most of them had new ideas of the development with Tablet calligraphy and calligraphy.They not only retained the ancient style but also created new styles and formed a variety of styles coexist situation in calligraphy.Later stage,calligraphers created a miracle in the world with a positive attitude. The Republic of China in the history of Chinese calligraphy is a transition period, with "heavy, clumsy" style to occupy a dominant position, from the worship of the Tablet calligraphy to coexist with the calligraphy,from inheritance to innovation and common prosperity, in this period played an important role, but also has a certain pioneering. From Wei and Jin Dynasty to Qing Dynasty, the development of calligraphy experienced from prosperous to decline and it needs new vitality.This time Tablet calligraphy emerged as the times require, especially in the middle and late period of Qing Dynasty as the inquisition influence men of literature and writing to Jinshi textual research, thus forming the statue tablet style and replace the calligraphy into the mainstream. Zhang Boying in this context to the wind to actively explore their artistic road and formed its own unique insights, do the real harmony but not sameness, its style and calligraphy theory affected Xuzhou generation of home and created the" Pengcheng clique".Zhang Boying put his lifetime energy to the calligraphy appreciation and skill learning book, and codified and written records," Heilongjiang"" Xuzhou syndrome"," continued the poem the Fateh", but the books on Zhang Boying thought, aesthetic tendency is not system summary. This article attempts from the Zhang Boying era background, compared with other calligraphers in the same period in late Qing Dynasty together with his a masterpiece" Fateh" and his book, the calligraphic inscriptions and review articles, calligraphy works to summarize Zhang Boying’s Book Science thought. On the other hand through his calligraphy practice and interpretations to summarize his calligraphy practice view. He elaborated his thought from three aspects including" Strong","Spirit is the most important","The self in the book",and elaborated his view of practice from two aspects including’ The use of brush is the fundamental","Control the brush".Finally to summed up Zhang Boying from the transformation of the concept of the later book learning effects.