The Study Of Stone Wall Building Artistry Cultural With Tibetan Lamasery

Tibetan traditional religious architecture in its stable, solemn, magnificent, and beautiful characteristic was praised by domestic and foreign architectural field, Tibetan architecture construction materials such as stone, wood, clay taken from natural, the construction technique is primitive simple hands eye-measurement, with such simple raw materials and building techniques to build out after a hundred years and steadfastly stand buildings, Have to make the world admire. Listed in the "world natural and cultural heritage" in our country first few batch of building list, Tibetan and Sino-Tibetan buildings each accounted for one seat, the Potala Palace, Chengde Outer Eight Lamaserys.Tibetan lamasery stone wall artistry cultural is an important part of the construction of the traditional Tibetan religious buildings. The artistry is extracted from the natural without any processing of various stones; add with some adhesions properties of black soil, Use simple tools such as stone axe, mallet, and ink cartridges with primitive simple hands eye-measurement method, build each stone wall layer until to the top place according to the strict specialized construction procedure by stonemason. Practice has proved the exquisite craft completely adapted to Qinghai-Tibet plateau terrain, climate and resources, and also suitable for the local Tibetan people’s life custom and the production mode. Qinghai Province Xunhua County Ningba village’s Tibetan lamasery stone wall artistry retention in the folk for nearly600years, experienced its brilliant period In the1980s. however, at present due to the influence of various factors, the survival of the status quo is not optimistic, and this excellent folk heritage is on the verge of extinction. In order to make the exquisite skill continuously inherited and developed, I deep into Ningba village have collected a large amount of first-hand material.This paper takes the Ningba Village Xunhua County Qinghai Province stone wall artistry cultural as the research subject, in the perspective of Ethnology, combined with deep into folk field survey and literature research method. In addition to Architecture, Tibetology, Aesthetics, Folklore such related knowledge and theory, collecting and organizing the secret of lamasery stone wall artistry and cultural materials, the origin history of stone wall craft, the mode of its inheritance, Oral history of stonemason, As well as the associated with the artistry of ritual and taboos, and traditional Tibetan geomantic culture. Interpreting the artistry rooted in local Tibetan village cultural soil, namely, deep cultural psychology. The paper also gives the countermeasures and suggestions of effective to protect the stone craft stonemason; to investigate the artistry technique problems and gives the corresponding protection advice, and then writes an article on the complete system, to inherit and protect endangered craft and its culture makes a meager strength.