The Study On The Fashion And Art Of The Parent-Child Clothing

The Socio-economic development is the pushing power of the development of clothing. Since ancient times, without the economic development clothing industry chould not make progress. Every time when economy develops rapidly, major change happened to clothing industry too. The more a region economically developed, the higher is people’s standard of life, and they will pay more attention to spiritual enjoyment, including elegant lifestyle and popular clothing styles. Whereas the popular clothing styles depend on the necessary material base provided by the economic development of the styles’ birthplace, and also the residents’standards of life and economic strength. It is logically concluded that, parent-child clothing, which expresses more intimacy, has increasingly become a form to express people’s lifestyle of more emoton and intimacy.Parent-child clothing features personalization, each individual clothes having both commonality and individuality, and different combinations producing different visibility and emotion. In comparison, individual clothing is more visually appealing. The fashion as art, like other forms of art, could be influenced by many factors in its development pro. Clothing fashion art can evoke people’s imagination, vis its the specific and tangible clothing pattern, the intent of works and visual image. it has artistic features. Like to other forms of art, people hold different acceptability and comprehension to clothing fashion art. Besides, the acceptability to clothing fashion depends greatly on social background, which makes it even harder sometimes to comprehend or accept the art of fashion clothing than other arts. The art form of parent-child clothing has the universal commonality of art and its own personality characteristics.The society today is quite different then the past, and the concepts also differ with that of the past. In the world today that carries diverse multi-polar culture,it is necessary to the enrich the information carried by parent-child clothing. There is no static model of development in Chinese traditional dialectical thinking, and so does the clothing fashion art, which could have a series of variant forms in different time. The study is on parent-child clothing, trying to achieve reform and innovation to the industry.