The Perspective Of The Kang Folklore Around The Painting Research

Kang Wei paintings as a folk art in a wonderful work in full bloom in the so-called" land of ancient civilization " in Shanxi, the masses love to see and hear as a kind of art form, for thousands of years is deeply rooted in people’s cultural life, until the last century90’s, the spring breeze of reform with Chinese and Western cultural exchange and collision, traditional architectural pattern and aesthetic consciousness of people produced very big change, later, Kang Wei paintings began to slowly fade out of the line of sight of people, but this does not mean that the Kang Wei paintings disappear completely, but with its new variant-hand-painted wall art is still active in residences. This paper is in the predecessor to the Shanxi Kang Wei painting form and content, artistic characteristics and style of aesthetics on the basis of the study, the Kang Wei painting in Shanxi Province ancient border protection of non-material cultural heritage in this special background, from the local culture of Shanxi Province ancient border village Kang Wei painting regional characteristic, Kang Wei painting relationship with the local culture and the protection and inheritance of Kang Wei painting.The full text is divided into seven parts, the first chapter introduced this paper research object, research purpose, significance and research methods as well as the academic research on this topic, status quo. The second chapter introduces the ancient border village in Shanxi Province Kang Wei painting of. Using the historical geographical ecology theory to the study of the ancient border castle, Fort location, history and folklore, and Kang Wei painting in this specific historical stage and the special geographical environment in which to study the ancient border village Kang Wei painting origin, distribution, content and methods, thus summed up the ancient border village Kang Wei painting unique characteristics. The third chapter of this paper is the most important part of folklore, but also reflect the academic thesis is one of the important sections. The first section from Kang Wei painting and folk tales, legends and folk opera three dimension interpretation of the ancient border village Kang Wei paintings and folk literature closely; the next second sections on the basis of Kang Wei paintings in different scenes showing the different morphology were written in new year painting, Kang Wei Kang wedding room art and public life in the Kang Wei paintings of these three aspects explains Kang Wei painting and popular folk life relations, third sections from Kang Wei paintings of folk belief and worship, totem worship, color and ethnic education in four dimensions such as the interpretation of the Kang Wei painting and popular folk psychology and the relationship between, from the question three aspects from the shallower to the deeper layers, in-depth explanation of ancient border village Kang Wei painting relationship with the local culture. Finally, from the artistic and aesthetic point of view of the Kang Wei paintings and people’s aesthetic psychological relations. The fourth chapter is based on the ancient border village Kang Wei painting from present situation, protection and inheritance of "non-left" macro perspective in Shanxi Province ancient border folk Kang Wei painting the future trend, emphatically from the non material cultural heritage of "living fossil"--the inheritors of occupation changes reflect Kang Wei painting society changes, and put forward some the value of the protection strategy. Conclusion part of the preceding chapter summary statement, Shanxi Province on the ancient border village Kang Wei painting’s present situation proposed the protection strategy is of practical significance. For the present is being carried out in the protection of intangible cultural heritage in practice for reference and reference.