| This essay was attempted to define the range of new realistic oil painting andthe three main difference on painting language between new realistic oil painting andclassical oil painting, which reflects on three painting kernel of new realistic oilpainting: shape color and volume. With Morandi, Hockney, Lucan Freud and Picassoas example, this essay will confirm the prominent position of the three kernel in newrealistic oil painting, and discuss the way of watching of the three kernel before andafter Cezanne, on positive and negative shape, physical properties, the degree andmode of color. With all the discussion above, and the individual mind and practice, Iwill discuss my selection and way of watching on new realistic oil painting. |
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