Theory Of Feng Zhi Intellectual Pursuit Of Poetry

In the1920s, with the height of the May4th movement, Chinese new poetry stepped out the first step. Due to the influence of20th century British and American modernist "intellectual", Chinese new poetry in poetry theory and poetry creation also launched the substantial significance work have emerged:Jin KeMu, Xu Chi, Yuan kejia, and a number of intellectual poetry theorist; Feng Zhi, Dai Wangshu and a number of intellectual poetry writers. This article attempts to analysis the process of Feng Zhi’s poetry creation, evolution, creative features and aesthetic features from the perspective of intellectual, for making a better understanding of Feng Zhi’s uniqueness. Through the introduction of the rheological and intellectual comb intellectual theory, intellectual poetry creation development in China, and combined with the creation of Feng Zhi’s general intellectual concept, put forward the definition. The first chapter examines the transmutation of Feng Zhi intellectual poetry creation, deeply analyzes Feng Zhi’s intellectual poets in different time, namely, intellectual poetry othemess.The second chapter through in-depth mining Feng Zhi’s intellectual poets in different time, to explore the hidden behind a poet penetration throughout the intellectual characteristics, namely intellectual poetry consistency. The third chapter discusses the Feng Zhi intellectual poets reflecting the intellectual aesthetic features, further reflected Feng Zhi’s intellectual poetry creation distinctive features,.The fourth chapter, standing in modern Chinese poetry development course and the contemporary poetry creation pollutions standpoint, further expounded Feng Zhi intellectual poetry writing significance. This paper innovation lies in that, for the first time from the perspective of intellectual Feng Zhi life poetry creation course, a poet Feng Zhi poetry for this, the study Feng Zhi in poems reveal intellectual characteristics, and combined with the same period of intellectual creation and other poet intellectual concept of rheological thinking, and then draw the conclusion: whether the1920s poetry creation, or40in the peak of1940s, also perhaps after text, throughout the Feng Zhi intellectual qualities, embodies the poet’s intellectual meditation.