The Image Of The Heart - Reclusion Culture And The Evolution Of Landscape Painting Style Of The Ming Dynasty

Hermit is the Chinese history the last unique cultural phenomenon,is a scholar in the realization of their ideals and aspirations and values oflife in the process suffered setbacks, avoid the harm of social reality,maintain their ideal and personality purely an act of sexual.During the Wei and Jin Dynasties in Chinese history is the firsthermit culture rising period, but also the Chinese landscape painting inthe beginning period. Since then to fall, the development of Chineselandscape painting and the recluse culture forges the indissoluble bound.Landscape painting of the Ming Dynasty ’s dominant style has adistinct evolution process, Academy and zhe Wu style, style, Songjiangstyle, respectively, in late Ming Dynasty, leading early landscapepainting.Any culture style evolution there are profound and complex causes,including politics, economy, culture, thought and so on kingship, the styleevolution of vice versa. This paper tries to respectively by the powerpolitics, the development of commercial economy in late Ming Dynasty,the" party officials contend for" as the breakthrough point, analyzes therecluse culture and its influence to the landscape painting style. Theoriginal style of history research, into a cultural history concern, to theMing Dynasty landscape painting style of interpretation, it created a newperspective.