The Method Of Comparative Study On The Binder And Almodovar Movie - Ephraim, Binder And Women's Tetralogy Almodovar Women Film, For Example"

European film and American film were in an antagonisticrelationship in nearly a century, what the former represented is thetradition of art film, and the latter represented the tradition ofcommercial film. With the development of film art, the directors haveless and less prejudice in the film language,the American film stillmaintains its global influence in the world, the European filmmakershave not defended stubbornly the "rules"of art film, on the contrary,therm have begun to learn and absorb the advantages of Americanmovies. Since the seventies and eighties of last century, the filmdirectors in Italy, France, Germany, Spain and other countries havemoved to the ways of popular creation, Rainer Werner Fassbinder andPedro Almodóvar are two of this term. Their films both inherited theartistic tradition of the film in Europe and absorbed the American filmsnarrative strategy, formed a special cinematic style, and they havemade impressive achievements both in commercial and art areas.Fassbinder and Almodóvar has the similar experience in filmmaking, they all came form a small city and arrived the metropolisalone when them young,and depended on their talents and diligent,they condensed some youths who have a common goal,and obtainedthe success finally. As for the creation stratification plane, Fassbinderand Almodóvar both are world-famous female film director, the femalesubject was their common topic of creation. Fassbinders womentetralogy represents the pinnacle of his film career, almost all of the filmsof Pedro Almodóvars female narrative center. Such as "The Marriage ofMaria Braun","Lily Marlene","Women on the Verge of a NervousBreakdown "and" High Heels ",they had directed a large number ofgreat female film, as we have shaped many unforgettable image ofwomen. Facing the same theme, the two directors adopted a different approach.This difference is expressed in the center of gravity of the twofilms focus on the female subject, Fassbinder reflected a particularhistorical period of the German social conditions through thepresentation of the female fate, Almodóvar through the establishmentof a new social order the liberation of womens behavior, and thusdemonstrate the complexity of human nature. This attention to thedifference of dimension a direct result of two different film-makingtechniques. Fassbinder and Almodóvar draws on the narrativestrategies of Hollywood melodrama, but both the time structure of thefilm narrative, space and composition, has a different handle.Fassbinders films generally followed the linear time of narrative structure,and Pedro Almodóvars films often follows non-linear time structure andthe enclosed narrative space. In addition, in a more specific level, thecolors, framing, scene scheduling, editing and sound of their movies hasalso presented the dissimilar appearance.The contrast research is one extremely effective researchtechnique. By contrast, we can clearly analyze the direction andcontext of the creation of Fassbinder and Almodóvars film, Thus we cangrasps the performing subject and the artistic form of their movies evenmore thoroughly.