Lyric Tenor Artistic Expression In The Opera

The lyric tenor is a type of tenor voices in a very representative, stressed that the tone is bright and mellow, the atmosphere full of smooth, beautiful and soft music lines, the characteristics of rich lyricism and singing; opera is full of love longing for the prince or gentleman, is the role of lyric tenor; the lyricism of the music, lyric tenor, is undoubtedly the ideal part of the concert part of the opera and art songs.Lyric tenor part in the opera-strong carrier support, experienced a long development before it matures. The hall of the opera singer can enjoy displaying their vocal talents to listen to the voices of the characters, to express the emotions of the composer wants to express. As a lyric tenor, singing different periods of opera, the performance of the different characteristics of the characters, to grasp the different singing styles, in order to better appreciate their own voices in the opera, the artistic charm of the bloom.Lyric tenor part of Western vocal music history of the development of a bright pearl, from Mozart’s era of "light lyric tenor, lyric tenor in the true sense of the" dramatic lyric tenor to Puccini period, times made it, which in turn reflects that era. Music is a product of culture, different era and cultural background of the composer created the music reflects or embodies the different cultural identities, so the lyric tenor singing a different era style operas their performance there is a huge difference.If Yinmozhate opera in the usual light lyric tenor called "Mozart tenor, drama, lyric tenor, compared with the true doctrine of Puccini’s opera darling. Therefore, the lyric tenor in the face of the different styles of operas, not bright, soft tenor tone when the concert of Mozart’s works sung in operas of Puccini’s the kind of ups and downs, they also do not use kava Music the La Duoxi ("Tosca"), feel that this role to go to the concert Ottavio ("Don Giovanni")."She calm"(from the Mozart opera "Don Giovanni" in Ottavio’s aria) and "Starry Night"(from Puccini’s "Tosca", Cavaradossi’s aria)two span style opera arias, and also the lyric tenor repertoire is very representative of operatic arias. Combined these two arias for example, the concert practice and theoretical study of the author’s exploration of the artistic expression of the opera lyric tenor. As a lyric tenor, the author is unable to and have no intention to look to reproduce or restore the tenor of the era of Mozart and Puccini, but through its own concert practice performance of the condensation in the style of the music of Mozart and Puccinispecial cultural connotations, the high degree of unity and history.