"the Da Vinci Code," The Style Of Combination Problem

This article will use the style of studying method, with the aid of Auerbach stylecombination theory and the particularity of the traditional Christian themes and mixedcharacteristics to dig novel deep to understand how to do it through a variety of genremixing way to convey the serious and grand theme. In hope of this study of it, we canmake up for views about style mixing blank in the research field of "the Da Vinci code".Auerbach thinks that classical advocating style division ignores the spirit ofaccumulated wealth of the social populace in daily life, and limits expressive forceseriously in literature. In the ancient Greek Homer epic poems, literary style and storiesare not between strict distinction. However, during development to Christian classic"bible", the principle of style division is abandoned, and the characteristics of thecombination style are more clear. In "the Da Vinci code" he made mysterious andsensitive topic with the method of unique interpretation and deconstruction, from thehuman point of view to re-examine the Christ, making religious classic Secular andhumanization, which reflects the society right imbalances and belief crisis problem, andreflects the author’s humanistic care.The success of "The Da Vinci code" is closely associated with the style of themixed postmodern characters, This article, through “the Da Vinci code " to analyze thestyle combinations, provides some new enlightenment and new driving force for thenovel research direction and research method.