Of Painting Software

The purpose of the so-called ideology of the inner most primitive living body in painting is not to clarify what the concept is, but trying to combine my personal painting practice and experience through the through interpretation and analysis of painting, and strive to explore and exploit the original generate power from the painting; in other words, we say, from the motive, the process, the formation, and the significance of the painting creativity, to make a reversed retrospect and consideration.In my opinion, the production process of painting can be considered as the cycle activities of the organic life. Through continuously exploring and inquiries, I realize the truly existence of a large quantity of changeable, ambiguous and uncertain factors that are out of the rational requirements. These factors are not as easily to be described and captured as the general concepts; however, they truly exist in the painting and play a significant role in the construction of the production. At the same time, along with the mastery of a variety of movement and strength, I discover some non-verbal corporation and deduction can be achieved in both body and mind, can be attained similar to the unperceived instincts. In this extent, body and the creative mind is not a mutual complementary method in terms of logicality and routinization, but an obscure combination to produce an interworking ambiguous middle area to achieve the creative activities.Thus, the ideology of the inner most primitive living body in painting which I mentioned above seems to be invisible to our naked eyes, however, it still can be visible by our sense. It has no realistic material properties, while as an intrinsic generate power with its noumenon, it clarifies the own form of transcendence. In addition, the ideology of the inner most primitive living body in painting is also an existence as the form of natural rhythm. In one word, the ideology of the inner most primitive living body in painting is a kind of spirit based and also on the purpose of life principle, to explain and explore the activity of painting.