Analyses The Traditional Ink Element In The Development Of Modern And Contemporary Thinking In Animation

Traditional animation, is our country according to their own traditional culture,combined with the animation of this artistic categories, the rise of a new" Chineseacademic". But once brilliant temporarily Chinese traditional animation is an importantbranch of--ink animation, is now facing a predicament, once let westerners is fascinatedby Chinese ink animation, in contemporary cultural impact and commercial impact, has begunto enter a vicious spiral. In the contemporary mass, the revival of traditional art hasbecome more and more intense at the same time, the traditional ink painting animation riseagain is beset with difficulties, just be personal or private groups sporadic occurrenceof several experimental animation is available, in the puppet animation, gradually in theviewer’s line of sight, active at the same time, the same as the traditional ink animationanimation but was not active. Chinese ink animation as traditional animation ’s brother,the production process is very complicated, do a Chinese ink animation time and energyis the ordinary ink animation three times to four times, in modern commercial animationflooded the market, what also don’t revive traditional ink? If you want to, then how todo? This is what we now have problems. To study this issue, which is of great theoreticaland practical significance. But now I have mastered the relevant data analysis, althoughthe academic circle has gradually pay attention to this problem, but the research resultsis not plentiful, so that in this area there is a wide research space.