Intellectual Identity Transformation, Chinese Painting And Art Voice Acquired The Formation Of Three Kinds Of Discourse

"Intellectuals" from the west, Western intellectual properties fordeep research. The ancient Chinese "Shi" or "literati" and the basiccharacter of Western intellectuals are very similar, they can be calledancient Chinese intellectuals. China’s "Shi" as a commitment to thecultural mission of the special class, from the beginning they play in theChinese history of the function of the "intellectuals". Compared withWestern intellectuals, traditional Chinese intellectuals and politicalrelations is more complicated, and politics is always there is a "cutconstantly grounds the chaotic "relationship between the two attitudes ofthe political enthusiasm and indifference swing from.From the weijin period and painting gradually as a kind ofideographic sex scholar’s emotional tools into perspective, because thecharacteristics of literati and to that of the professional painter works ofthe great difference, and the Chinese painting language style to have thesignificant influence. With the knowledge molecules from ancient- thetransformation of modern postmodern identity and the changes ofChinese painting is language style. With their own culture intellectualcapital, take all kinds of different strategies, finally established in theirfield of art in the right. They are a certain time period and must be withinthe scope of the artistic idea and art style to change the main driving forceof the development of Chinese art plays a great role. This article mainly from the theory of intellectuals and Bourdieu’scultural capital theory, and analyses the change of identity intellectuals toaffect the development of art. Paper is divided into four chapters, thethesis the first chapter is general idea is mainly to make use of theunification of history and logic method, the system combancient-modern-post-modem knowledge molecules of identitycharacteristics and the inner source of development. The second chapter,the third chapter and the fourth chapter as this exposition key respectivelyfrom the ancient-modern-the intellectuals of postmodern were selectedthe Dongqichang, Xubeihong, Chenyifei as a special case, from itscultural capital, the race for the right strategy, etc., discussed the differentperiod of intellectual identity characteristics, thus further to exploredifferent period the formation of the method of artistic discourse andintellectuals the inner relationship between the identity.