Yan Geling Novel Warmth Under The Perspective Of "cultural Revolution" Narrative

Through the time and the accumulation of life，the great historical disaster of"Cultural Revolution" has become the inexhaustible great mineral resources in ourcountry. From "the Great Cultural Revolution" to thirty years after that, intellectualsnever forget they bear the historical mission. They act as the conscience of society,have been recorded, reflect this great historical existence on our nation.The new immigrant writers of our nation, as a part of the integral , always beartheir responsibilities . In the new immigrant writers,Yan Geling has become to thecharacter who must pay attention.Her successful articles because of "the CulturalRevolution" and relates to the life, have received more and more attention in the newimmigrant writers ,and the position can not be ignored Among them," a soldierwhisper"," Ninth widow"," an epic of a woman"," Tianyu"," White Snake"," Tianyu"and" ears" series are the works which related to the "Cultural Revolution",that arealso widely cared by the critics.the main reason of Yan Geling was attached is thatthe "Cultural Revolution" and the mainland ’s works are quite different with herunique" edge person" identity and her writing skills and cultural talent.she present usthe articles which is not the same as the "Cultural Revolution" narrative tone.So,YanGeling about the "Cultural Revolution" of the narrative and the mainland related tothe "Cultural Revolution" of the narration has issued a different voice.We can say thekind of offbeat "Great Cultural Revolution" in narrative text with the "CulturalRevolution" of the mainland constitute the "cultural Revolution" soul records of ourentire nation.This paper widely collectes,consults , finishes the previous information of theYan Geling’s research data and achievements.On the basis of these, the paperattempts to explain about the" Cultural Revolution" in the works of Yan Gelingfrom the warm view. The paper mainly focused on the unique narrative of "Cultural Revolution" from the warm view of Yan Geling. The thesis is divided intothree chapters. The frist chapter is the warmth narrative of "Culture Revolution" in theheterogeneous cultural context.There are three sections in this chapter.The firstsection is the childhood memories of "the Cultural Revolution". Yan Geling’smemory for the "Cultural Revolution" is only in the childhood.it is because that herchildhood was spent in the "Cultural Revolution".The second section is the creationpsychology of " back to the motherland". Yan Geling " transplantation overseas"when she is young,the collision of the Chinese and Western culture make hergeneration back to motherland creation mentality unavoidably.The last section is theemotional alienation under the " transplanted identity ". Because of far away fromthe homeland,Yan Geling can look at everything in the country calmly andrationally in a" near outsider" identity. And she can use the Western ideas on thetraditional oriental in the the blending of Chinese and Western cultures.The second chapter is the "Cultural Revolution" concerns from the warmthview of Yan Geling.This chapter is divided into two sections. The first section is theshow of humanity under the background of "the Cultural Revolution".Yan Geling putthe" Cultural Revolution" as a stage, let people in this extreme environment show theultimate human, but her most notable humanity is divided into knowledge groupand the mass group. The knowledge group is composed of "father" and" Uncle"series of writers," mother" and "grandma" series of citizen groups, dance and dramaactors series and educated youth.And the mass group is composed of the ignorantnumb spectators and simple kind of farmers. The second section is the femaleperspective in tragedy environment.There are two aspects to discusses the"Cultural Revolution" ’s destruction for female beauty and love,one is the tragic fateof the females which is distorted in the "Cultural Revolution" and another is thewriting for the charm of " female".Besides,this chapter elaborate on the "female"on the basis of that.The third chapter main elaborates the art of narrative about"CulturalRevolution" which is in the warmth view. There are three sections in this chapter.The first section main elaborates the idealized characters. In Yan Geling’s workswhich about" Cultural Revolution" always existence a single character, who has beautiful nature, or simply pursuit some ideals. The second festival main elaboratesthe narrative construction which has tension. Yan Geling always narrative based onthe individual, which makes her narrative always has tension. And Each of the worksalways narrative differently.In " The Story Of Suizi", she looks at the distortedsociety and human nature through a children’s eyes;In the" White Snake" , there aresome different narrators and some different versions of the narrative;In the " An EpicOf A Woman", she starts from a woman’s perspective, conducts narrativeconstruction with epic which is about the feminine emotion, these narrative arecharacteristics. The third section main elaborates the narrative discourse which istolerant. The language of Yan Geling shows the characteristic which is strange andchangeful, her novels are full of vivid imageries, the wisdom and witty languagewith the description which is neurotic and sensitivity, show the abilities of YanGeling who can control the language, so that her works always transparent Chill inthe keynote which is cute，witty and warm .The conclusion Combinate the research of "Cultural Revolution" at home andabroad and the research status of the he new immigrant writers especially YanGeling，elaborates the Influence and expand to the narration of "Cultural Revolution"which is Yan Geling created .The conclusion also introduces the influence andexpand to the narration of "Cultural Revolution"overseas.