On The Money The National Character Of The Chinese Painting "Lines"

The birth of the art of life is always in the unpredictable situation,found her freedom and love of wisdom and of his own life. Artisticspirit in fact carrying the human hope, goodness, suffering, and faith,she is inspiring human thought, pioneering the human vision andcomfort the human emotion and inspire the human spirit. When weback, it is not difficult to find that in fact Chinese and westernpainting art is the same kind of form, but as the changes of the historyand the development of the western ideology, Chinese and westernpainting art characteristics of a big difference. So for lines, westernpainting art also has made a different interpretation: to the westernpainting lines serving the depicted object in the volume of light andshade, and traditional Chinese painting of the line can not only formbut also vividly, and can exist as an independent aesthetic.The ideas of the traditional Chinese painting is a reflection ofnational philosophy and sublimation of Chinese ancient philosophicalidea of Confucianism, Taoism and Buddhism three affected theancient people’s values and aesthetic taste, it is also the aestheticinterest of Chinese painting lines constantly development andimprovement. And in traditional Chinese painting, tao’s thought is the dominant, it not only to reveal the art surface and deep, real andvirtual image, as well as external and internal law plays an importantrole, also for individual life and universe life high interpretation ispresented. At the same time, Confucianism should not ignore theimpact on traditional Chinese painting, the human nature of good andbeauty into Chinese painting, make the works reveal a kind of socialhumanities spirit "meaning" of the emotion. Actually, Confucianism isthe feeling of Chinese painting forms under combined life image of theheavens and the earth.Line in the writing brush, ink, rice paper with rich under thefunction of abnormal changes in ink, form a kind of aesthetic feeling ofform. Is precisely because these material media combined withtraditional Chinese painting image, make the material media ascendout of its unique physical properties to the spiritual level. Lines arealso hidden in the form of image, the spirit of the outer line of thedisplay is an inner emotion depicted objective image, the spirit andidea. And traditional Chinese painting in the aesthetic aspects of theartistic conception, artistic conception and so on all sorts of it isshowed by the combination of the Confucianism.Have to say that line is the soul of Chinese painting. Onethousand years, traditional Chinese painting painters have beenstudying how to make the lines more more rich connotation.Traditional Chinese painting development until now, has formed a setof belongs to own unique mechanism, integration and differentiation.The emergence of this mechanism is derived from traditional Chinesepainting in the face of external changes of debugging, on the one hand,integration of external factors on the one hand to reconcile traditional factors. Namely in absorbing foreign factors at the same time toensure the stability of the whole system of Chinese painting, for thecontemporary traditional Chinese painting painters is a greatopportunity and challenge. Have to say that the emergence of thismechanism, the inexhaustible power for innovation and developmentof Chinese painting, on the premise of good genes of tradition Chinesepainting completed integration, promote, and to develop a series ofprocess, the appearance of Chinese painting style diversification,individuation.