| To study multiple deep significance to the image of women as asymbol, the image of women from the historical, social, political,power, gender, or artistic expression angle cut, which have beengiven endless sense and imagination. It is mysterious, ambiguous,obscure and has a high degree of religious and ancient timesreproductive traits of worship since ancient times people arefascinated by, not only carries the rich language, and become themain performance targets of the art, Chinese and Western artimportant spirit of indicators.The axis of the Ming Dynasty and Italy on the image of women inthe painting together to compare, because the Chinese MingDynasty and Renaissance at the same stage in the history of basicrepresentative in the history of Chinese and Western painting, butalso on future generations Painting affect the the darker twoperiods. Period of Ming Dynasty and Italy there are many aspectshave similar characteristics in painting, the painting of the twoperiods reflect the common law of social development and thepursuit of the common spirit of life. However, China’s Ming Dynasty and the Italian Renaissance are two different painting system, thereare many essential difference whether it is in the painting color,shape, view of art and drawing theme, The reason for this differenceis because different cultural, social background, religion, customsand painter caused by different thoughts and feelings.This paper first discussed by the image of women in the MingDynasty and the historical background of the Italian Renaissanceand real life to sort out, followed by the image of women in the MingDynasty and the Italian Renaissance painting from the point of viewof art history, to understand before painting differentcharacteristics, as well as the theme of the image of women in thepainting is important. In this paper, the brief analysis of the fourchapters of the Ming Dynasty and the Italian painter andrepresentative works of painter to the image of women as the theme,showing the different painting styles and unique thoughts andfeelings. The fifth chapter is the core part of this article, focusing oncomparative Ming Dynasty and the manifestation of the image ofwomen in the Italian Renaissance painting, painting color, style,subject matter and artistic view, compare, and then analyzes theChinese and Western painting, a pursuit " rhyme,"a pursuit of theroot causes of the" true "difference. Artists imitate, learn fromprevious art, but is not limited to the frame of mind of theirpredecessors, the artist can complete performance of innerthoughts and innovation, So with the ethos of the essentialdifference between the paintings. After painting, we should be clearchoice of themes and topics in the painting, created with the timescombined and unique painter of the importance of ideas and inspiration, and more in the works into their own thoughts andfeelings, constantly sum up, careful observation, in order to createmore content works. |
