| documentary feature Movie in the rear, movie as a mainstream form of a government-run movies during the war, in the formulation of the mechanism has not been a characteristic to the kernel image from the movie the overall summarized in the context of creation and combing. In this paper, collecting and collating the moment, the historical literature, follows the text studies, cultural studies, relevance contrast, presents Rear Area documentary feature films from the source image to play a peak mechanism, systematic exposition of its occurrence the evolution of the background, the occurrence of context and authenticity of the images in the text, complete show the the rheological tendency of its aesthetic style, explained Rear Area documentary feature films movie aesthetic innovation in the modern transformation of the image after the Chinese film impact. Chapter1:rear area as a regional film phenomenon documentary feature films are mainly explained by the the Rear Area documentary feature films concept of the source and the difference with the traditional feature film, and those arising from the particular historical context and macro analysis. Chapter â…¡: documentary feature film History and responsibilities "Rear Area documentary feature films from" Image "to" image "mutual collusion between the analysis from the point of view of the text, a comprehensive interpretation of the complete mechanism and aesthetic achievements."Chapter â…¢:documentary feature films occurring micro-context and affect mainly discusses the the Rear Area documentary feature films and documentaries relationship and they shouldered the functions of the publicity and education. Chapter4:documentary feature film in the Republic of feature films in the historical process the special role of "explained Rear Area documentary feature film aesthetic achievement which has brought change to the next period Chinese film, and pointed out that the rear area documentary feature film with China Film modern exploration and the Republic of post-war peak of movies mature has a close relationship. Chapter Five:Conclusion "stressed the Rear Area documentary feature films of great significance in the development of the Chinese film aesthetics, while the rear area documentary feature film documentary study of contemporary Chinese film has an important reference value. |