The Study Of Qin Qiang Opera Artist Named Yang Wenying

Qin Qiang is one of the most major local operas in northwest five provinces, which is theancestor of Bang Zi in China. It has been formed and developed in this unique environment inChina northwest, embodying the culture spirit of the vast northwest and ambition of thenorthwest loess children, which forms the unique style of Qin Qiang opera,‘passionate andvigorous, solemn and stirring’ and occupies an important position in Chinese drama history.Shaanxi is a big cultural province and dramatist Yang Wenying is conceived in this fertileground. Yang Wenying loves Qin Qiang opera from her childhood. After graduating from highschool, she went to work as a director in art ensemble work of Shaanxi province. Later on, inthe50’s she further studied in the central academy of drama to go on the learning of directorand became familiar with the master Stanislaw, director system. In the60’ s because thesystem was dissolved, Yang Wenying finished opera career and engaged in Qin director job.He successively transplanted, created and adapted many dramas，reflecting the uniquecharacteristics of the combination of composing, guiding and playing. From transplantation ofthe red coral to the screenwriter and director Red lantern, and the performance of the Windand rain bridal chamber, singing and singing innovation design of model operas ‘port’, thento Butterfly cup·bridal chamber together with Qin Mingdan, etc, and they all have greatpraise in Qin Qiang artistic circles.In the research field of Qin Qiang, Yang Wenying mainly talked about the performances ofactors, because Yang Wenying is herself a screenwriter, director and actor as one of theexperts, and also is proficient in music, stage and other categories. From the actor’s bestperformance extending to Qin Qiang opera genre studies, which is worthy of concern in QinQiang circles.About Yang Wenying, there has not been a comprehensive and systematic result, so theauthor mainly analyzes from Yang Wenying artistic career to her achievements in the aspect of Qin totaled four parts: The first part: It has mainly discussed the artistic career of YangWenying from the beginning of Yang Wenying contacting drama to engage in a short musicalart, to engage in professional work Qin Qiang opera after retirement in her old age. Thesecond part: Yang Wenying’s Qin Qiang opera stage art, through Yang Wenying’s somerepresentative works in Qin Qiang, the thesis sums up his unique style and further establisheshis uniqueness in comparison with others. The third part: Yang Wenying’s study of Qinschools, and make a analysis of the genre part of Qin boundary but no formal formation ofschools, from the system of birth, Dan, net, ugly combining the formation of Peking Operaschools,the author summarizes the basic conditions that Qin Qiang art schools have formed.The fourth part: Yang Wenying’s Qin Qiang opera works, mainly from the analysis of YangWenying’s three books called ‘Qin talk’,‘zhang zhai’s discourse’and ‘Qin performance artist’,they mainly analyze his performance style of Qin Qiang opera and dramatic life as well as theinfiltration of aesthetic thought in work.