Fifteen Sunflowers

This article is to discuss the content of "Painting line and texture" of Van Gogh’s "fifteen sunflower ",which is diverse forms in the oil painting art language. In Van Gogh’s work," iconicity " of " Painting line and texture " is much more significant.This paper attempts to start from the very representative of the "Painting line and texture" of Van Gogh’s " fifteen sunflower ", along with the road of Van Gogh’s work、letter、text thoughts and routes. On the one hand, put the form language of " line and the skin texture" enlarge and interpretation, understanding its importance; On the other hand, analyze involved in the formation of the language in the form of one by one, discussing Van Gogh’s art and Japanese Yamato-e, impressionism, after impressionism, medieval glass Mosaic art relations, understanding the vitality of Vincent Van Gogh’s art form from the source;With the analysis of the form factor and significance, through understanding literature reflect the understanding about the relation between form factor and the spiritual expression, reflecting in his art practice, it is attention to the key points.The article is divided into four parts:first, the uniqueness and significance of " Painting line and texture" of Van Gogh’s "fifteen sunflower ".Second, start from the visual environment of Van Gogh’ s art, understanding the development and inheritance relationships of western art. Third, discuss the influences of float world draw on a Van Gogh’s painting. Finally, summarized the relationship between constitutes methods and the spiritual connotation line, understanding the routes and rules the development of the western oil painting art. With the help of art researching Van Gogh’s painting to further provide a reference for our own contemporary art creation.