Study On Transitions Of Chinese Painting Views Of Colors In The New Era

Song after the literati paintings occupy the art world mainstream, Ink gradually replaced Meticulous color in an important position, and become the main screen ink phase. Meticulous gradually declined but inherited form of murals and civil New Year. This re-ink light color color concept, the use of color of the Chinese painting gradually declined. New Era, the Chinese Painting the East-West multi-level, multi-angle collision of cultural and ideological trends. Gradually opening up in the creative concept, freedom, in the language of painting based on tradition, useful nutrition inclusive and foreign art of painting with a wide range of exploration, development change. Among them, learn from Western painting, the color of the modern Japanese painting experience is an important content of Chinese Painting in the new era to break the old framework. By reference to some elements of Western painting, meet the aesthetic tastes of the times of new modern Meticulous color fun. Re-written a history of fracture since the Tang and Song to color painting. To solve this problem, from the Chinese Painting in the new era of color use a new phenomenon and the new phenomenon of the characteristics of Chinese Painting in the new era of color view of the variation, and change the new era of Chinese Painting Color View of angles discussed. For the use of color in the field of Chinese painting in the Discrimination of the new era, and that the new era Chinese Painting in the use of color on a new change, at the same time, Chinese Painting in the new era Color View a shift.