The White-haired Girl Cross Style Narrative Research

From1949to the founding of the People’s Republic in1966before the culturalrevolution, China’s cultural construction whit political construction, economicconstruction synchronization, there was an overall recovery scene. In order to cater toand socialist new situation of the culture construction, to appear before the literary works,intends to modify, with the mainstream ideology.17years as a representative of theliterature and art in literature Yan’an works, The White-Haired Girl is one of the classictext liberated areas literature. Extending The White-Haired Girl as the main researchobject, intent through the White different style of the creative process, the modificationprocess and mode of transmission, this paper explains the white was gradually adaptedwidely spread and is classic, the process, also explains the mainstream ideology in thiscourse on reflect the deep influence. Finally, the work becomes classic the process ofreflection, and on the basis of the classical overall understanding of meaningThe body is divided into four chapters:The first chapter from the four aspects of clear white fairy tales features, namely theghosts of characters, quirky, story plot of uncertainty, the folk narrative charm andincomplete etc.The next turning appeared in the Jianghua after the end The White-HairedGirl has started in the form of the text appears in front of people, the completion of theoral literature to change the story of words.The second chapter first defines the literary production of Yan’an mode, and thenfrom the themes of ideology, plot conflicts dramatic transformation, character typeshaping and dramatic arts and literary popularization perspective of the opera TheWhite-Haired Girl dramatic transformation, in order to meet the national requirements ofpolitical discourse, The White-Haired Girl is how the ideology of the discipline, andgradually "building" as the classic.Chapter Third from the revolutionary narrative classic, identity expression inpolitics, realistic detail, the fate of the characters of the emotional aspects emphasized thepolitical ideology on the influence of the film, even though the film The White-HairedGirl was in many respects broke through the political constraints, thus emphasizing literary factors, embodied in the love and folk scenes of daily life is described in detail,this depiction of easing to elegant art and folk public conflict.Chapter fourth cultural revolution occurred, ballet and operas form TheWhite-Haired Girl as class struggle megaphone, transfer of political thought. In don’tforget the class struggle below the appeal, The White-Haired Girl to be combed forrevolutionary classics, be Revolutionary Model Dramas, at this time, The White-HairedGirl extreme political, theatrical, types and concept of characteristics reflect the mostincisive.