| Graphic arts, to form a visual figurative language accumulation ofthe screen. How to "see" the screen language in visual formcorrespondence. In the contemporary context, from the perspective ofculture and technology, go to see the changes in the history of the pastwhen the visual language of the screen, to find the inevitable variationmay exist to "see" still does not appear, but there are bound to be a visuallanguage or a pile of material, so that there can let prospective futurepossibilities.Terms of classicism and easel painting, painting is the painting. Inthe field of communication, the image has a different meaning, and thereason is that the birth of the photographic technique. Photography andpainting picture language struggle, independent of the visual language,the emergence of new technologies and image media, so that we perceive static image language began to move toward alienation from the rhetoricof change. The reason, materials and technology change the image carrierand texture, but also re-organized rhetorical screen language; repeatedinterpretation of philosophical questions, based on technology promotion,continue to demonstrate the philosophy of Oriental regression.Static image language (development), from the screen form,materials, multi-cultural point of view, to explore language developmentcontext of the graphic arts, photographic technique after the birth ofvisual language to undertake relationship, as well as from thedevelopment of Communication and Informatics since electronic anddigital arts, new plane artistic language. |
