| Martial arts film is unique to the Chinese film type, although the martial arts film cultural roots in mainland China, but actually makes the martial arts film out of Asia, into the world of the Hongkong film, and on century80’s to mid90’s, with Tsui Hark as the standard-bearer of Hongkong new martial arts film to make Hongkong films in the movie world in yangmingliwan a tiny area, not only for the success of Hongkong won the "Hollywood of the Orient" in the world, even in the whole of Hongkong movie history drew a thick and heavy in colours.This period is also known as the Hongkong martial arts movie history gold for ten years, its audience, influence is tremendous, type of rich, emerge in an endless stream of masterpieces are not comparable to previous Hongkong film.From eighty time Tsui Hark’s "new Shushan" chivalrous swordsman biography beginning1996, also from Tsui Hark to the generation of martial arts master Zhang Che tribute "knife" in the end, during a span of more than10years of time.This more than10years Hongkong has experienced the new martial arts film beginning, climax, flood and the end, appeared "a Chinese ghost story","the legendary swordsman","dragon gate Ilonn Hotel","Huang Feihong" series of films, these films in the aesthetic conception, types of films, film morphology, audio-visual language, production technology and other aspects of the bold innovation, even in the new century today, still exudes a unique artistic charm.The Hongkong new martial arts film for spatiotemporal defined, for its development to make a careful and detailed analysis, to Hongkong the new martial arts film containing the deep cultural roots of inquiry, and then new Hongkong martial arts and traditional old martial arts for comparative study, to explore the aesthetic style, visual language, and other aspects of the production of special the profound change, the last chapter of Hongkong new martial arts film boom-bust motivation. |
PDF Full Text Request