The Morphological Study On Chinese Contemporary Impressionistic Portraits

Dynasties and Shi Ke impressionistic portraits appear to the creation of the Song Dynasty Liang Kai genius, has been a master of impressionistic portraits to the Qing Ren Bo, it can be said is ahistorical progress.The first day Chinese impressionistic portraits is a relatively late-maturing kinds of paintings from the Five of the birth of impressionistic portraits of independent features and aesthetic orientation, the works are impressionistic portraits of the main features, which itself is a language, but also contain rich cultural connotations, it also carries Chinese culture-specific connotation and temperament."Book picturesque","shape" in the traditional impressionistic portraits have been excellent expression.Early20th century, the Western concept of modeling integration, has shaken the philosophical foundation of traditional Chinese painting, changed the traditional sense of painting awareness, people began to denounce the long-term in the Domination of the status of the old culture and old moral. Advocates of traditional Chinese painting "Yi pen hastily, not seek to shape" modeling approach can no longer meet the needs of the times. Xu Beihong, Jiang Zhaohe has introduced the Western realism, Chinese ink figure painting images form a significant change. The "Western integration" process modeling placed in a freehand figure painter in front of a sharp century topics. Be extended from the1960s to the early1980s, Chinese painting, forming a northern style led by Yao Youduo, Lu Chen, Zhou Sicong and Southern style led by Li Zhenjian Fang Zengxian, Zhou Chang Gu.After the mid-1980s, complex, multi-culture provides a variety of possible to the development of Chinese figure painting and Chinese impressionistic portraits also indicates new phenomenon in this background.