Oil Painting ’s Image Shape And Its Cultural Background

Although oil painting originated in Europe, however， when it became an international artmedia, the nationalities are just the artists’ label. Thus, the diversity of the oil painting is moreclosely related to the identity of the painter instead of the characteristics of its media.Thedifferent grown backgrounds of and cultural influence of the artists inevitably displaythrough their creations. Oil paintings can be expressed in concrete form, abstract form, andalso the image form. Form the perspective of visual identity, the image form covers the widespace between concrete form and abstract form. However, the different expressions involvenot only the technicals, but more importantly, the cultural background. The creations ofindividual artists are diversity, while the same ethnic and cultural backgrounds will inevitablyaffects the artists.Under the influence of Chinese culture, although the artists showes a widerange of creative style, but the aesthetic cognition which prefer the image became undeniablyChina’s artists intrinsic motivation.While the artist’s creations are due to their aestheticawareness, but the choices of the external environment are also an important reason leading toan art style. With the development of technology makes the visual world has witnessed greatchanges, viewer’s aesthetic changes of the visual image inevitably impact of the creations ofthe artists. Consequently, in their consciously and unconsciously environments, artists choosetheir own way of expression subjectively and a passively.Oil painting as a medium of artistic creation, but due to the attribution of the status of theartist, which makes also left the creators of works of art of the environment in which branding."Artist" is not only a profession belong, is also a kind of social identity attributes. Artistidentity in the real world is not entirely independent of a group, their survival must attach tothe social division of labor on the identity of a certain position, this independence also revealsthe existence of non-independence of the art itself. All aspects of political, economic,religious, and national entities of the inevitable impact of Arts and culture development, artitself and at the same time there is an internal system complete and rational system. Thisinternal system of reasonable, is through the construction of balanced external forces on thebasis of compromise. External environment was responsible for the art system, and its internalsystems is based on mainstream artists and artistic evaluation system relative stability as theprerequisite. Balance of the balancing effect of the external environment within the artsystem, external balance of political, economic and cultural impact on the art of balance. Oilpainting takes on a form subject to multiple forms of painting, just at different times andregions have different tendencies. Morphology refers to the real-life images of specimens ofapproximate forms of creative works, that work is through the creation of realistic way imagecharacteristics of concrete reality of things. Realism is a kind of way, like it was an effect,they are positioned at different levels. Abstract art as an artistic genre, especially one from1910to1916, Kandinsky, Malevich, Piet Mondrian, who started between the abstract. Such asabstract expressionism was also still is a continuation of abstract art. But the creation ofabstract forms a standard, is the Visual effect of showing non-image. Image morphology is inpart between the representational form and abstract forms, with fusion and subjectivity.Representational forms in the West as the main body of the traditional change has occurred inthe face of photography, photography appears in a sense that it had to subvert the theoreticalcornerstone of representational art to imitate, in20th century China was able to determine the authoritative status of representational art, is the demand of the times and to a large extenttechnology dual role. Chinese art in the tradition of visual experience is a range of abstractand representational imagery aesthetic form and characteristics are not completely get rid ofrepresentational forms of narrative. Qi Baishi said Chinese painting "in between like andunlike your" aesthetics of the fuzzy image of Chinese aesthetic practices arising from theaccumulation of aesthetic perception. Consisting mainly of images of contemporary artevolved to form diverse state, is due a large component of non-uniformity of the aestheticpsychological and Visual centers of diversity.