Political Discourse Sight1928Revolutionary Literature

1928’s Chinese society is a basic stage,it is from the capitalist democratic society tosocialist society transition.In this time,the social crisis war after another. Kuomindangand Communist party in1927,by Seven fifteen counter-revolutionary’s failureannounce partnership was broken.From now on,Communist party run into the lonelywar.If one political party want to occupied a palace at political and sovereignty,must haveit’s the theory and the masses basic,but masses’ launch need have its ideologicalguidance,so communist party’s outstanding elements in its revolution enthusiasm andexperience of himself to build literature societies and develop undergroundorganization.They use words to record Guomingdang’s criminal.They drive all themasses to join revolutionary.All the people organize to reject Guomingdang’s reactionaryrule.Literature as a kind theory preach get a powerful confirmation.1928’s revolution literature isn’t a accidental phenomenon in this special times andisn’t a reflect of the subjective views of political subject of rights.It is a literature form ina special times of economic culture political the transition process.In thisstage,revolutionary literature’s produce and develop together with political power’sdispute.1928’s have a special political culture and times feature.Every literature societiesor writer’s theoretical claims,creation mode,mind and art from all have it reducenecessity.In this article,political is emphasis,historical changing leads social political ideaand creative direction changing.1928’s journal and magazine published theories article ornovel or poet creation mostly have reflection with revolution.They are all reaction topolitical culture.Although Guomindang to words of revolution adopt a lot of methods tocontrol,revolution literature still spread the massed by underground form.Furthermore,because revolutionary literature and political special relationship in thisspecial times leads that it have sensitivity and limitations.This kind limitation letscomposition lack some aesthetic art color and have itself social and historyreality.Revolution literature in1928,didn’t occupy leader positon,but after left wingliterature societies building and after many years appears Yan’an literature and the17-year literature are the develope.Revolution literature isn’t a kind product of specific times,it is a result of history developing.After1928,revolution literature’s developing gets rid of himself limitation.At left wing literature and defense literature and Yan’an literature and war literature and war of liberation to17-year literature’s transition process gradually improved.Resume of Chinese proletarian revolutionary literature is literature as political power subject board the political stage performance of reality.From the point of view of political culture,a new interpretation of the1928revolution in literature,in1928,in a particular period of history,this period of political,economic,cultural,are in a transitional period.Factions everywhere in the literary world,launched the debates on revolutionary literature,controversy,revolutionary literature victory,the victory of the controversy and its essence can be said that a fight for cultural positions and leadership of the struggle.This paper divided into four chapters to discourse.Cut from the political discourse perspective revolutionary literature.Conducted a comprehensive review of his generation and impact.The first section to revolutionary literature of history turning point to discourse,from revolutionary literature’s nature and big revolution’s effect to discourse from every point.The second chapter to literature and political and society’s relationship,Literature and society,writers and creative point of view,proposed1928’s unique theoretical point of view did explain from everywhere,and conclude political discourse’s important function.The third chapter from its limitation start,multidimensional,much perspective discussion of the creation of models of revolutionary literature,creative theme,creative theme;The last section to revolution literature’s history choice start,explore the existence of revolutionary literature and political discourse relations itself is a paradox.