The Aesthetic Dimension Of Reorganize Lolita

Nabokov’s novel Lolita produced in the nineteen50centuries,which was in capitalist society had a rapid development of artcopying in post-industrial period. During this period, thepeople’s subject consciousnesses gradually lose. Westerners beganto doubt themselves. Nabokov’s novel stood on the real world, hefocus on the objective world to the inner world of human beings,with its almost mad narrative way of character true existence state.Lolita published in60years, has always been popular andcontroversial, she once fell into a moral, political, psychological,narrative and other issues in the debate.Lolita was twice reorganized by film: the first part is formedby American director Stanley Kubrick on1962in the UK. The secondpart is formed by British director Adrian Lyne in1997in the UnitedStates. The two films have amusing contrast relations, and alsocaused the literary adaptation of the film aesthetic dimensions ofsteering. Kubrick’s film with black humor is known, his film tosatirize American and European politics; Ryan movie seems to befaithful to the original, but did not show the original essence,he made the film into a pedophile" love " can be called true lovemoral condemnation.Lolita was reorganized by the film; its aesthetic dimensionturned” reading to “see" and" listen". The film is not novelexhaustive, but provides another imaginary space. Lolita in the filmto subvert the reception aesthetics in the viewer’s location, theaudience is actually being fooled by the" collective unconscious".Whether it is for the novel to film," Lolita" subversive, makereaders and audience for works exist excessive explain too.