The History Writing Of Lirui’s Novel

“History” is the most important theme of Lirui’s writing life about thirty years. From “The Thick Soil” to “Site”, from “The Tree of No Wind” to “Silver City Story”, in addition to the thinking about “History”, there are thinking about “Revolution”“Folk” and “Intellectual” in Lirui’s novel. These four words form LiRui history writing of the key. This article discuss with these four words,from the aspects of Lirui’s writing, New historicism,revolution ideology,folk ideology and the relationship between intellectuals and civil.The first part, LiRui constructed a three‐dimensional historical picture, from the thinking, he found the irrationality of history and the invariance everlasting folk world. By combining the new historicism literary criticism theory, make sure the characteristics of LiRui’s history writing, reveal his history malaises.The second part, starting with Lirui’s history thinking, this article rediscovered the formation and development about the word “revolution”, then interpreted the occurrence and development of “revolution”, and the results of collision and conflict between revolution ideology and folk ideology.The third part, combined with the experience of LiRui itself, this article focused on the analysis of his’s three different intellectual image, so as to analyze the situation in history and the revolution the intellectuals suffered, and their own defects，to make clear the estrangement between civil and them. Interpreting Lirui’s real emotion about the intellectuals, thus dig deeply of LiRui’s difficult position in his writing and thinking.