Xu Wei’s Big Freehand Style

Xu Wei, Shaoxing, Zhejiang, China Ming Dynasty writer, painter, word textlength, the elderly No. ivy, ivy priests, Tianchi Health Hermit Tianchi, Heavenly LakeFisherman, gold base, gold back to the Hermit, Sanin commoner white pheasantHermit.Have unique skills in poetry, calligraphy, Chinese opera, painting, remarkableachievements. In painting, the main flower of painting landscapes and figures. The artwork shows the strong, good feelings to control the ink, and often break through thelimitations of the object itself.Period in the Ming Dynasty (AD1368-AD1644), art is in a special stage oflearning both ancient and innovative sense of collision. The rapid development of inkpainting impressionistic painting, Xu Wei as the representative of ink freehandpainting is very popular and famous a lot, and techniques are also constantly updated,Xu Wei with their own unique talents, become the master of the most successfulimpressionistic painting.Xu Wei naturally wild, unrestrained personality, but he was more successful interms of painting and calligraphy, poetry, opera, etc.. His freehand ink paintingFlowers and Birds, the momentum aspect unrestrained, sloppy pen concise Gai,multi-use with ink ink, rarely colored, structured, virtual and real ink and wash,extremely vivid. He financial Jin Jian brushwork in paintings, books and paintingscomplement each other, giving to the rich imagination. He is the master, the impact ofChina’s large impressionistic painting and in Ba Da, Shi Tao, Eccentrics untilChangshuo, Qi Baishi, a very high position in art history. His best flower painting,indulge a pen, ink and wash, vigorous gas grid charm charming, poetic lyricism andsense of rhythm, very cherished. The calligraphy is longer than Cursive, Xu, althoughlong since as the first, but success seems inferior to painting.